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Chapter 16: Gothic Art Image Links |
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Chapter 16
Gothic Art
A. THE GOTHIC STYLE
B. FRANCE
1. Architecture And Its Decoration
2. Independent Sculpture
3. Book Arts
C. ENGLAND
1. Architecture
2. Book Arts
3. Opus Anglicanum
D. SPAIN
1. Architecture
2. Book Arts
3. Painted Altarpieces
E. GERMANY AND THE HOLY ROMAN EMPIRE
1. Architecture
2. Sculpture
F. ITALY
1. Architecture
2. Sculpture
3. Painting
Gothic Art
A.
THE GOTHIC STYLE top
Fig. 16-2
Cathedral of Notre-Dame, Chartres, France. West facade begun c. 1134; cathedral rebuilt after a fire in 1194 and building continued to 1260; north spire 1507 - 13. View from the southeast
B.
FRANCE top
An overview
of French cathedral architecture
1.
Architecture and Its Decoration top
Many
images of Gothic sculpture from Chartres and Reims
Fig. 16-4
Ambulatory choir,
Abbey Church of Saint Denis
FIg. 16-5
Ambulatory
vaults , Abbey Church of Saint Denis
The Annunciation shows the beautiful and rich stained
glass window colors from the cathedral at Chartres
Fig. 16-6
West facade, Chartres Cathedral, France. c. 1134 - 1220; south tower c. 1160; north tower 1507 - 13
Fig. 16-8
Prophets
and Ancestors of Christ right side, central portal, Royal Portal, Chartres Cathedral. c. 1145 - 55
Fig. 16-10
Flying buttresses, Chartres Cathedral. c. 1200 - 20
Fig. 16-11
Nave,
Chartres Cathedral c. 1200 - 20
Fig. 16-12
Plan of Chartres Cathedral. c. 1194 - 1220
Fig. 16-13
Tree of Jesse, west facade, Chartres Cathedral. c. 1150 - 70. Stained glass
Fig. 16-14
Charlemagne
window ambulatory apse, Chartres Cathedral. c. 1210 - 36. Stained glass
- Elements Of Architecture: The Gothic Church
Gothic
information and images about the rebuilding of St. Denis and Gothic
construction
Fig. 16-16
Vaults, sanctuary, Cathedral of Notre-Dame at Amiens, France. Upper choir after 1258; vaulted by 1288
Fig. 16-17
Robert de Luzarches, Thomas de Cormont, and Renaud de Cormont. Plan of Amiens Cathedral. 1220 - 88
Fig. 16-18
Nave,
Amiens Cathedral. 1220 - 88; upper choir reworked after 1258
Fig. 16-19
West
Facade Amiens Cathedral. Begun c. 1220 - 36
Cathedral
of Notre Dame, Southeast view.
Fig. 16-23
West
facade, Cathedral of Notre-Dame at Reims, France. Rebuilding began c. 1211 after fire in 1210, façade 1130s was largely unfinished by 1287; towers left unfinished in 1311, additional work 1406 - 28
Fig. 16-24
Annunciation
and Visitation. Annunciation (left pair: Mary [right] c. 1245, angel [left] c. 1255) and Visitation (right pair: c. 1230), right side, central portal, west facade, Reims Cathedral
Detail of the Annunciation Angel, from the west façade of the Reims Cathedral
Fig. 16-26
Plan of Reims Cathedral. 1211 - 60
Fig. 16-27
Nave,
Reims Cathedral 1211 - 60
Fig. 16-28
Interior,
Sainte-Chapelle, Paris
Images of the Church
of Saint Maclou, Rouen
Links to images of the Jacques Coeur House, Bourges, France
2.
Independent Sculpture top
Marble
sculpture Virgin and Child, from the 14th century, French
Virgin
and Child, Abbey Church of Saint Denis
Fig. 16-30
Attack
on the Castle of Love, jewelry box, from Paris. c. 1330 - 50. Ivory casket with iron mounts, panel. Walters Art Gallery, Baltimore
3.
Book Arts top
Les tres
riches heures du Duc de Berry, one of the finest examples of
the International Gothic Style in manuscripts
Fig. 16-32
Page with Louis IX and Queen Blanche of Castile,
Moralized Bible, from Paris. 1226 - 34. Ink, tempera, and gold leaf on vellum. The Pierpont Morgan Library, New York
Re: Fig. 16-34
Book of Hours of Jeanne d'Evreux from Paris. c. 1325 - 28. Grisaille and color on vellum, each page (8.2 cm x 5.6 cm). The Metropolitan Museum of Art, New York
C.
ENGLAND top
Illuminated manuscript showing the "Jousts of London"
1.
Architecture top
Fig. 16-36
Salisbury
Cathedral, Salisbury, Wiltshire, England. 1220 - 58; west facade 1265; spire c. 1320 - 30; cloister and chapter house 1263 - 84
Fig. 16-37
Plan of Salisbury Cathedral
Fig. 16-38
Nave,
Salisbury Cathedral
Images of Exeter Cathedral
2. Book Arts top
D.
SPAIN top
1.
Architecture top
Cathedral
of Palma, Mallorca, Spain
2.
Book Arts top
Fig. 16-44
Cantigas de Santa María, from Castile, Spain. Mid- to late-13th century. Ink, pigments, and gold on vellum. El Escorial, Real Biblioteca de San Lorenzo, Madrid
From the
"June" page of the Breviary of Martin of Aragon, Catalonia,
Spain, c. 15th century
3.
Painted Altarpieces top
E.
GERMANY AND THE HOLY ROMAN EMPIRE top
1.
Architecture top
Fig. 16-48
Interior, Altneuschul, Prague, Bohemia (Czech Republic). c. late 13th century; bimah after 1483; later additions and alterations.
2.
Sculpture top
Fig. 16-50
Nicholas of Verdun and workshop. Shrine of the Three Kings.c. 1190 - c. 1205/10. Silver and gilded bronze with enamel and gemstones, 5'8" x 6' x 3'8" (1.73 x 1.83 x 1.12 m). Cathedral Treasury, Cologne, Germany
Fig. 16-51
Dormition
of the Virgin, south transept portal tympanum, Strasbourg Cathedral, Strasbourg, France. c. 1230
Detail of Saint Maurice, Magdeburg Cathedral, Magdeburg, Germany. c. 1240 - 50. Dark sandstone with traces of polychromy
Fig. 16-53
Ekkehard
and Uta, west chapel sanctuary, Naumburg Cathedral, Naumburg, Germany. c. 1245 - 60. Stone, originally polychromed, approx. 6'2" (1.88 m)
Fig. 16-54
Vesperbild,
Middle Rhine region, Germany
F.
ITALY top
Charity,
by Giovanni de Balduccio, c. 1330, marble
Madonna
of San Silvester, polychrome wood
1.
Architecture top
A
beautiful side view of the Siena Cathedral
Fig. 16-55
Arnolfo di Cambio, Francesco Talenti, Andrea Orcagna, and others. Florence
Cathedral, Florence. Begun 1296; redesigned 1357 and 1366; drum and dome by Brunelleschi,1420 - 36; campanile by Giotto, Andrea Pisano, and Francesco Talenti, c.1334 - 50
Figs. 16-56 and 16-57
Interior view and plan,
Florence Cathedral
2.
Sculpture top
Madonna
Enthroned, by Arnolfo di Cambrio, c. 1296-1302, marble, from
Florence
Fig. 16-58
Nicola Pisano. Pulpit,
Baptistry, Pisa. 1260. Marble; height approx. 15' (4.6 m)
Fig. 16-60
Nicola Pisano. Nativity,
detail of pulpit, Baptistry, Pisa. Marble.
Fig. 16-61
Andrea Pisano. Life of John the Baptist, south doors, Baptistry of San Giovanni, Florence. 1330 - 36. Gilded bronze
Fig. 16-62
Coppo di Marcovaldo. Crucifix, from Tuscany, Italy. c. 1250 - 1300. Tempera and gold on wood panel, (2.93 x 2.47 m). Pinacoteca, San Gimignano, Italy
3.
Painting top
Fig. 16-63
Duccio di Buoninsegna. Virgin and Child in Majesty, main panel of Maestà Altarpiece, from Siena Cathedral. 1308 - 11. Tempera and gold on wood panel, (2.13 x 3.96 m). Museo dell'Opera del Duomo, Siena
Fig. 16-65
Simone Martini. Annunciation,
center panel of altarpiece from Siena Cathedral. 1333. Tempera and gold on wood panel; 19th-century frame, 10' x 8'9" (3.05 x 2.67 m). Galleria degli Uffizi, Florence
Fig. 16-66
Pietro Lorenzetti. Birth
of the Virgin, from Siena Cathedral. c. 1335 - 42. Tempera and gold on wood panel; frame partially replaced; (1.88 x 1.82 m). Museo dell'Opera del Duomo, Siena
Fig. 16-68
Cimabue. Virgin
and Child Enthroned, Cimabue
Fig. 16-69
Giotto di Bondone. Virgin and Child Enthroned, from the Church of the Ognissanti, Florence. c. 1310. Tempera and gold on wood panel, (3.53 x 2.05 m). Galleria degli Uffizi, Florence
Fig. 16-70
Saint Francis Master. Miracle
of the Crib of Greccio, fresco in upper church of San Francesco, Assisi, Italy. c. 1295 - 1301/30
Fig. 16-71
Giotto di Bondone. Last
Judgement, Arena (Scrovegni) Chapel, Padua. 1305 - 6
Fig. 16-72
Giotto di Bondone. The Lamentation,
1305-6. Fresco in the Avena (Scrovegni) Chapel
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